These are some shots from around the Poblenou neighbourhood, taken around the first week of March. The majority come from the “Free Walls” project, but there are also a few from around the Glories area, and an abandoned building site which had a hole in its fence.
Some interesting details worth noting are the now-customary anti-Trump art, along with a small mural with legs, in front of which you can see a shopping cart. That shopping cart is not abandoned, and is actually used by the African migrants who use them to wander the city gathering scrap metal, and who’ve made a home in a nearby encampment. These encampments are very similar to the ones built up by the Roma people, who also make their living on scrap metal and recycling, though some Roma are fortunate enough to have large vans to transport their cargo.
As the warmer weather approaches, I expect to see more turnover of the work on the free walls, so I’ll post as often as possible. The free walls can be found here. Some of the other works can be seen here (approximately), near Poblenou Park.
At the end of January, I took a long weekend in London to visit some friends who live between there and Barcelona. I’d only been to the city twice before, once in 2012 for an 8 hour layover, which allowed me a short overnight stay in an airbnb near Paddington Station, and once in 2003 on another short weekend during which I coincided with the global Iraq War protests. Neither visit has permitted me the time I would have needed to get a good feel for the city and, of course, its art.
In this most recent visit I was blessed with fine weather, though chilly by Barcelona standards, and a slight overcast sky, which is always better for getting pictures.
As for the art that I saw, I had heard and seen much about the scene in London, and I wasn’t disappointed. The hotspots of Shoreditch and Brick Lane is where most of the shots on this post were taken. I found quite a bit of politically-motivated work, much of it lampooning Brexit PM Theresa May and her equally-adored ally President Donald Trump (still feels strange to type those three words), as well as some work from familiar artists such as C215.
I was also introduced to a well-known London street artist named Nathan Bowen, whose online shop you can find here.
As with any city the size of London, I didn’t get to nearly enough, but the ease, convenience and price mean that I can get away whenever I have a three, or four day mini-holiday.
PS: If you look carefully, you’ll find a rare shot of this blogger among the pics.
2017 marks the beginning of the sixth year of this blog. And while I’ve been a bit busy with the annual holiday travelling as well as different new projects on the work front, I have been taking some shots–it’s just a matter of getting the time to sit down and organize everything into a post.
This entry is a revisit to TV Boy, whose pop art was featured in a previous entry. Some of them are returning guests, Van Gogh and Kahlo, along with two new faces, Warhol and the Pope. All of these shots were found in my neighborhood of Gràcia, the big doorway on the main thoroughfare of Carrer Verdi.
The final shot comes from the French artist Manyoly, who will feature in an upcoming post on my trip to London.
This will be one of the final posts of yet another year, and most of these shots come from a recent walk through the art-rich Born neighbourhood. One of the silver linings of having had such a busy November and December is that I haven’t had much time to wander, meaning that there were quite a few new discoveries.
Two of these images are mash-ups of Arte Es Basura and stencil artist sm 172. Whether or not the collaborations were intentional or not I’m not sure, but my guess would be that they were not an accident.
The other images are a portrait of Lauryn Hill by artist RAF Urban and, a stencil by Guate Mao, and Amy Winehouse, by B TOY.
I’ll be spending the remainder of 2016 exploring the aftermath of post-Trump victory America. The places I’ll be are generally not known for any urban art, but I’ll be sure to take a photo of any beauty I encounter in the Yuletide ruins.
I had to dig back in the archives as far as May to get a few of these shots–a difficult task as my dropbox photo cloud approaches 6,00 photos. It was worth the effort though, as I was able to find th photo I was looking for, as well as a few extras that hadn’t made it to the blog. All of this post’s images are of famous people, some of them real celebrities, while two others are famous characters from the small screen. The two fictional faces come from two of the most popular series on TV, The Walking Dead and Game of Thrones. They come to us from artist Axe Colours, who was previously featured for his portrait of Walter White from another popular TV show, Breaking Bad. In the third image you can see the artist at work. The other three are pop culture icons in real life, Annie Lennox, Anthony Perkins, and Amy Winehouse–with who I think might be Rihanna in the lower right corner. Another image shows a curious mashup of Mickey Mouse and a scowling Madonna.
Last week, while making one of my occasional pilgrimages to the Poblenou neighbourhood, I stumbled upon an open gateway, beyond which I could see some murals. It’s a spot I pass by frequently, just off the northern exit of the Parc del Centre del Poblenou. I normally take this route as there are some walls of a partially abandoned building which get painted every now and again.
I’m normally not one just to enter an open gateway uninvited (one of the myriad reasons I’ll probably never move from taking pictures and archiving to creating urban art), but this time my curiousity got the best of me and I decided to wander in.
The name on the entrance said Can Ricart, but upon entering, I checked my phone location and noticed I was in a place called Hangar.org, which describes itself as “a centre for arts production and research, offering support to artists”. The website is here and the facebook is here. And here is some info about Can Ricart.
I didn’t have a chance to chat with anyone, as most of the occupants of the space seemed hard at work, but I did manage to take a stroll around the premises and get some interesting photos, including one of the huge pillar which is visible from the street outside the walls, and which I had photographed previously from afar.
The majority of the shots in this post (including the first-ever shot of myself) are the work of the urban pop artist TVBOY. They are part of a series of famous artists from the past with touches of the present, including a Frida Kahlo Iphone selfie–the shot in which I couldn’t resist joining the famous Mexican artist for a rare narcissistic arm’s length self-portrait. The shot of Serge Gainsbourg comes from the artist Valerie Maho, and the great Muhammad Ali in stencil was created by RAF Urban. The other image (from sm172) which I’ve included is a darker reflection on our pop-selfie culture and is a statement on the voyeuristic bystander syndrome which seems to be a side effect of all of us being able to record and photograph all that we see, while forgetting to experience it, or get involved when necessary.
This year’s Festa Major de Gràcia featured a new entry into the decorated streets: la Plaza del Poble Rumaní, the theme of which was one of the biggest cultural contributions from Gràcia’s vibrant gypsy community: la Rumba Catalana. While the decorations themselves had a difficult time competing with the more experienced streets, one feature which stood out from the rest was a huge mural which was painted on the wall of a neighboring school.
The mural is a collaboration between local schools, the local gypsy community, and the organization acidH (Catalan Association for Integration and Human Development). The three artists who participated are well-known in the Barcelona street art scene and this blog: Xupet Negre, Caesar Baetulo (sm172), and konair.
The images on the mural are a mix of the artists’ trademark characters and icons of Catalan culture.
The phrase “operación retorno” refers to the slow, but steady reverse exodus back to the cities (and reality) after the August holidays. I’m fortunate to start off with a fairly abbreviated schedule in order to ease myself back into the routine. To close off the month of August, and the lazy, hazy summer of 2016, I present to you the second installment of the photo highlights from the Festa Major of Gràcia.
Just yesterday, the annual Festa Major of Gràcia came to a fiery end with the Correfocs (fire runners) spreading sparks through the narrow streets of the neighborhood. The sea (including lots and lots of my favorite animal, the jellyfish) was a recurring theme in the decorated streets this year. Indeed, this year’s first prize winner was a brilliant under-the-sea motif featuring a giant fisherman, whose feet became the victims of vandals later in the week. In case you’re curious, here is a list of this year’s winners (in Catalan). Worth noting is that habitual winner Verdi has fallen to 7th position, with a California/Holywood-themed decor. Other themes included theatre, birthday party, a fantasy plant world, a commemoration of 20 years of participation, and women’s history.
Without further ado, here is the first installment of shots from this year’s grand festival.