Archives for category: cultura catalana

The annual Festa Major de Gràcia, which takes place in mid-August, began as all the others I’ve witnessed here over the years: the week or two of frenetic preparations, the blocking of streets, the quiet buzz before the tsunami of tourists and locals that would descend upon our normally tranquil little village. However, on the 17th, which was the third day of festivities, the Rambla attacks took place, and cast a shadow on the remaining days of the festival. The Spanish president declared three days of mourning, and all the more raucous night time activities, such as concerts, were cancelled. The decorations stayed up, and the daytime, family-oriented activities continued as usual, but from Thursday evening on, there was an eerie calm in the crowds.

People still came, but the crowds were noticeably thinner, though as the initial shock wore off, more people began to make their way up.

The themes this year were varied, from the Petit Principe, to demons and devils, to rock and roll, to The Neverending Story, Ghostbusters, and the Bolshevik Revolution, to my personal favorite of any theme so far, John Waters’ Pink Flamingos, complete with a giant figure of Divine as herself, the “Filthiest Person Alive”.

This year’s winning entry was themed after a ski resort in the Pyrenees, complete with falling snow.

 

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These are some shots from around the Poblenou neighbourhood, taken around the first week of March. The majority come from the “Free Walls” project, but there are also a few from around the Glories area, and an abandoned building site which had a hole in its fence.

Some interesting details worth noting are the now-customary anti-Trump art, along with a small mural with legs, in front of which you can see a shopping cart. That shopping cart is not abandoned, and is actually used by the African migrants who use them to wander the city gathering scrap metal, and who’ve made a home in a nearby encampment. These encampments are very similar to the ones built up by the Roma people, who also make their living on scrap metal and recycling, though some Roma are fortunate enough to have large vans to transport their cargo.

As the warmer weather approaches, I expect to see more turnover of the work on the free walls, so I’ll post as often as possible. The free walls can be found here. Some of the other works can be seen here (approximately), near Poblenou Park.

This year’s Festa Major de Gràcia featured a new entry into the decorated streets: la Plaza del Poble Rumaní, the theme of which was one of the biggest cultural contributions from Gràcia’s vibrant gypsy community: la Rumba Catalana. While the decorations themselves had a difficult time competing with the more experienced streets, one feature which stood out from the rest was a huge mural which was painted on the wall of a neighboring school.

The mural is a collaboration between local schools, the local gypsy community, and the organization acidH (Catalan Association for Integration and Human Development). The three artists who participated are well-known in the Barcelona street art scene and this blog: Xupet Negre, Caesar Baetulo (sm172), and konair.

The images on the mural are a mix of the artists’ trademark characters and icons of Catalan culture.