These are some shots from around the Poblenou neighbourhood, taken around the first week of March. The majority come from the “Free Walls” project, but there are also a few from around the Glories area, and an abandoned building site which had a hole in its fence.
Some interesting details worth noting are the now-customary anti-Trump art, along with a small mural with legs, in front of which you can see a shopping cart. That shopping cart is not abandoned, and is actually used by the African migrants who use them to wander the city gathering scrap metal, and who’ve made a home in a nearby encampment. These encampments are very similar to the ones built up by the Roma people, who also make their living on scrap metal and recycling, though some Roma are fortunate enough to have large vans to transport their cargo.
As the warmer weather approaches, I expect to see more turnover of the work on the free walls, so I’ll post as often as possible. The free walls can be found here. Some of the other works can be seen here (approximately), near Poblenou Park.
Last week, while making one of my occasional pilgrimages to the Poblenou neighbourhood, I stumbled upon an open gateway, beyond which I could see some murals. It’s a spot I pass by frequently, just off the northern exit of the Parc del Centre del Poblenou. I normally take this route as there are some walls of a partially abandoned building which get painted every now and again.
I’m normally not one just to enter an open gateway uninvited (one of the myriad reasons I’ll probably never move from taking pictures and archiving to creating urban art), but this time my curiousity got the best of me and I decided to wander in.
The name on the entrance said Can Ricart, but upon entering, I checked my phone location and noticed I was in a place called Hangar.org, which describes itself as “a centre for arts production and research, offering support to artists”. The website is here and the facebook is here. And here is some info about Can Ricart.
I didn’t have a chance to chat with anyone, as most of the occupants of the space seemed hard at work, but I did manage to take a stroll around the premises and get some interesting photos, including one of the huge pillar which is visible from the street outside the walls, and which I had photographed previously from afar.
This year’s Festa Major de Gràcia featured a new entry into the decorated streets: la Plaza del Poble Rumaní, the theme of which was one of the biggest cultural contributions from Gràcia’s vibrant gypsy community: la Rumba Catalana. While the decorations themselves had a difficult time competing with the more experienced streets, one feature which stood out from the rest was a huge mural which was painted on the wall of a neighboring school.
The mural is a collaboration between local schools, the local gypsy community, and the organization acidH (Catalan Association for Integration and Human Development). The three artists who participated are well-known in the Barcelona street art scene and this blog: Xupet Negre, Caesar Baetulo (sm172), and konair.
The images on the mural are a mix of the artists’ trademark characters and icons of Catalan culture.
For my second May post (which is actually hitting in June) I’ve decided to return to Gràcia, as I haven’t posted much from the surrounding area lately. Most of these shots come from strolls around the vila over the last three or four weeks. As suggested in the title, one of the more interesting ones is a portrait of tourists as paella-wielding, selfie-sticked zombie hordes who come to invade our quiet little neighbourhood nearly year-round. This sentiment can be seen in occasional graffiti which read “tourists go home”. As a foreigner who first came as a tourist, I’m a bit torn; while I recognize that tourism is vital to our local economy, and that a good majority of tourists are well-behaved and civilized, I also know as a resident what a putada it can be having the area so constantly crowded. On balance, I’m in favour of tourism, but I think that we need to start moving toward a more sustainable model. This is what the current city administration (in theory) is going for–a city planned and built for its residents, but also welcoming for tourists. A difficult happy medium to achieve, but a noble objective, in my humble opinion.
The other shots are rather random and generally political in nature, along with some anthropomorphized popsicles from konair, and some paste ups which have been appearing with increasing frequency.