Archives for category: multiculturalism in art

As I had expected, after taking on a full-time position, along with some administrative duties, at one of the schools where I had only worked a few hours a week, has turned my old routines upside-down. Add to that a 2-week trip to New York in September (which will be the topic of my next post) The month of October was on fraught with adjustment as I juggled old responsibilities and new, into a new sort of lifestyle. This particular responsibility was one of the balls that got dropped.

It looks like I’m beginning to get my bearings, and I’m currently in a two-day lull before it comes time to start organizing final exams before the winter break. So I’ve decided to take advantage on this chilly Sunday–also the day of Spain’s 4th general election in 4 years–to post a bit of what I captured before I got really busy at the beginning of September.

Most of these shots come from my normal hunting grounds, the Tres Xemeneies Park neat Parallel, and the “free walls” near Poble Nou.

One notable exception is the pasteup work of a previously featured artist, Postman art, a portrait of Karl Lagerfeld, found in the Raval.

Advertisement

August this year turned out to be a lot busier than the last, work-wise, which means I wasn’t able to make my annual trip to the Sants Festival, which takes place just after the one here in Gràcia.

However, I did have some great shots from an outing in July, where I found, among other things, a TVBOY pasteup of the Barça star Coutinho, and a crazy stoned version of the Trix Rabbit.

Summer 2019 has turned out to be quite a bit busier than I had expected, having taken on a few extra hours at work. As a result, I haven’t been able to get out and about as much as I normally do in summer.

There would be no excuse, however, for me to miss out on the annual Fest Major de Gràcia, as I am pretty much surrounded by it for its 7-day run.

As always, all of my shots are taken early in the day, before the arrivals of the bigger crowds that swarm the neighbourhood every night. Even so, the most intricately-decorated streets had not only converted into one-way passages, but there were also staff at the entrance to control the number of people entering. This meant that even at 11 in the morning there was a block-long line of people waiting to get into some of the streets. That said, the line moved fast, and once inside, it wasn’t nearly as crowded as it had been in past years, making it much easier to move, and to snap a few photos free of people.

The themes this year varied, from Harry Potter, to a tribute to miners, to Halloween, to the library after closing, to a 50s-style American diner.

There were a few incidents however, include a pair of sexual assaults of women on their way home late at night, and a suspicious fire, which destroyed most of a street which had been decorated with an ocean theme. Unfortunate incidents seem to be a side effect of a festival, and indeed a city, which has become a victim of its own success.

As every year, the Gràcia festival is followed by the slightly smaller festival of the Sants neighbourhood. I will try to get a few pictures before it wraps up.

I had heard and seen photos around the net of some mural work at the Nau Bostik, a cultural center which is a converted factory at the edge of the Poble Nou area, the old industrial center of Barcelona. Due to time constraints, I hadn’t been able to make it until just before Christmas. I definitely recommend the trip, as they regularly have art markets and concerts along with other special events. Below you’ll find some of the art I encountered that day, including a character from Game of Thrones by well-known Barcelona artist Axe Colours.

 

After an absence of six years, from 2005-2011, I now make twice yearly pilgrimages back to the east coast of the US, mostly to visit family and friends, but also to reconnect with NYC. During these visits I generally stay in Airbnb flats in the East Village or Lower East Side. I do this mainly because I enjoy the atmosphere of those two neighborhoods, but also because they are both areas in which I am guaranteed to find a few hidden gems of street art.

Just near my Airbnb, on East 12th street, I found a mural that I had seen a few times on my Instagram feed, a huge portrait of young and older Michael Jackson. Doing a bit of research, I discovered that the artist was Brazilian Eduardo Kobra, and that he had made a trip to NYC and left 18 murals, some of them several stories in height all around the city. Here is a link to an article which also has a map showing the locations of all 18 murals.

I didn’t make it to all 18 sites, and most of the photos here are of murals in lower Manhattan. However the one of the firefighter and Einstein on a bike required me to make a trip (and no, my nose didn’t bleed) all the way up to East 50th St. But it was definitely worth the trek, as these two murals are immense, perhaps the biggest I’ve seen. The firefighter mural seems to attract the most attention from tourists. In fact, I was able to play tour guide to a group of Portuguese travellers, to whom I explained that the number “343” on the firefighter’s helmet was a tribute to the number of firefighters lost on the day of the 9/11 attacks. Of course I also encouraged them to head down to the East Village instead of Times Square, as the former is much more NYC than dirty Elmos and the M&M store will ever be. I wonder if they heeded my advice.

 

I have promised myself numerous times, and have even stated in an interview, that I would post twice a month, no more, no less. That said, I have decided that this January 2019, I will make an exception and post three times. One of the reasons for this is that I have quite an archive of worthy images that is backing up in my cloud storage, impatiently waiting like planes on a runway, to take off into the blogosphere. So, without further ado, here are some images that come from a session in early November, a mix of locations including the Poblenou neighborhood and the more central Paral·lel area. The images speak for themselves, and I’ll save lengthy commentary for the following posts, which will come from this December/January’s visit to New York City. Happy New Year!

This past May, I made my now-annual mid-year trip to the US, I decided to take a short train trip under the Hudson to Jersey City, a place I called home from 1999-early 2001. This was then, a trip back to the past, along with a street art safari. And I wasn’t disappointed. A long walk on Newark Avenue yielded some fantastic results, as you’ll see. The murals are part of the Jersey City Mural Arts project, which is an initiative of the city’s Office of Cultural Affairs. It’s a good idea to check the website or do a bit of Google research to find out where some of the interesting pieces are located. I was happy to see a mural by one of my favorites, Italian artist Alice Pasquini.

Jersey City has gentrified quite a bit over the last 20 years, and there is a decent offering of restaurants and cafes in case you get hungry or thirsty on your way from the Newport PATH station to the Journal Square station. Especially interesting is the row of Indian restaurants just off the Journal Square station.

The artist Joel Arroyo has been decorating surfaces around my neighborhood of Gràcia (see the Frida Kahlo entry below) for nearly a year now, and just a few weeks back he painted the shutters of the “co-working” which is on the bottom floor of my building, and occupies the corner of Bruniquer and Montmany streets. The portraits are of Mandela, and two women, and appears to be a nod to activism, refugees and first nations/indigenous peoples. The other image is a bit more satirical in nature and is of ousted, disgraced Spanish president Mariano Rajoy with a clown nose, which was also found here in Gràcia, on Llibertat street. This one appeared not even a week after Rajoy lost a no-confidence vote provoked by innumerable corruption scandals and was forced to leave office by opposition parties in Congress, much to the delight of probably my entire neighborhood, which is decidedly left-leaning.

On another note, this blog was once again listed by the travel website Spotted by Locals as one of the best Barcelona blogs for 2018. Here is a link to the article.

In addition, Spotted by Locals has also developed an app, which puts their fantastic, tourist-trap free travel guides to various cities in your pocket. Here’s how to get hold of them.

As the title suggests, my featured shot for this entry is a work in progress which is being painted on the doors of a street-level parking facility on Ros de Olano street just a few blocks from my home. The artist has also painted another gate on my street, but I’m including this one, as the subject is more exciting to me: the Mexican artist Frida Kahlo.

The other shots are from various gates, a large mural of a baby from the Vallcarca neighbourhood, a pasteup criticizing the selfie culture, and two large pasted up murals which I think come from the same artist, and can also be found here in Gràcia.

While the political chaos swirls around me, and daily life gets into the mix, it’s easy to forget that the show most certainly does go one. And street art is no exception.

I was reminded of this just a few days ago when I received, via twitter, the news that Spotted by locals, a website and app that serves as a guide to more than 65 cities worldwide, had chosen this blog to be on their list of the best of Barcelona. Be sure to take a look at the list here, as I’m in some excellent company.

As for the photos in this post, they range pretty much from the middle of July to just last week, and are from various locations, hence the title of this post. Many of them are from the murs lliures project in Poblenou, and have probably been replaced a few times over. Others are small shots from here in Gràcia, or the old city center. I have a small hunting expedition planned for the bank holiday coming up this week, so expect more in the next week or two!