Archives for category: street art poblenou

As I had expected, after taking on a full-time position, along with some administrative duties, at one of the schools where I had only worked a few hours a week, has turned my old routines upside-down. Add to that a 2-week trip to New York in September (which will be the topic of my next post) The month of October was on fraught with adjustment as I juggled old responsibilities and new, into a new sort of lifestyle. This particular responsibility was one of the balls that got dropped.

It looks like I’m beginning to get my bearings, and I’m currently in a two-day lull before it comes time to start organizing final exams before the winter break. So I’ve decided to take advantage on this chilly Sunday–also the day of Spain’s 4th general election in 4 years–to post a bit of what I captured before I got really busy at the beginning of September.

Most of these shots come from my normal hunting grounds, the Tres Xemeneies Park neat Parallel, and the “free walls” near Poble Nou.

One notable exception is the pasteup work of a previously featured artist, Postman art, a portrait of Karl Lagerfeld, found in the Raval.

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I had heard and seen photos around the net of some mural work at the Nau Bostik, a cultural center which is a converted factory at the edge of the Poble Nou area, the old industrial center of Barcelona. Due to time constraints, I hadn’t been able to make it until just before Christmas. I definitely recommend the trip, as they regularly have art markets and concerts along with other special events. Below you’ll find some of the art I encountered that day, including a character from Game of Thrones by well-known Barcelona artist Axe Colours.

 

I have promised myself numerous times, and have even stated in an interview, that I would post twice a month, no more, no less. That said, I have decided that this January 2019, I will make an exception and post three times. One of the reasons for this is that I have quite an archive of worthy images that is backing up in my cloud storage, impatiently waiting like planes on a runway, to take off into the blogosphere. So, without further ado, here are some images that come from a session in early November, a mix of locations including the Poblenou neighborhood and the more central Paral·lel area. The images speak for themselves, and I’ll save lengthy commentary for the following posts, which will come from this December/January’s visit to New York City. Happy New Year!

In honor of the Halloween holiday, I thought I’d post this recent image I found on the way to a meeting in Poble Nou back in early September. It’s a dragon, monstrous, but not particularly terrifying, perhaps due to its color scheme and perhaps because it enjoys taking passengers. It is a creation of the artist derz, who has quite a few murals around the street art hotspots in Barcelona. I hope to be able to return to my normal postings come November, when I retake my finances, and purchase a bit more storage space from the WordPress warehouse.

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May has been an exciting and busy time for the last couple of years, as it coincides with some of the busy exam seasons at the various schools where I work, as well as my annual trip back to the US for family reunion, and some days in New York City, which is where I am writing from now.

The photos from my trip here will be spread over a few posts, as there are various places I have visited and plan to visit before I head back across the ocean.

In the meantime, here are some photos from my latest trip to the art areas in Poblenou, with some interesting large-scale portraits, similar to the entry from 30 March, as well as some cartoon characters, and some wide-angle shots. I have to say, I’m really happy with the quality of photos from the new galaxy phone, though I have limited experience with other phones such as the Iphone and Pixel.

 

As the title suggests, the majority of images from today’s post were from a quick trip to the Poblenou area, which resulted in the discovery of a number of large portraits. The largest of them, the sleeping woman requires the perfect combination of no parked cars, and a lack of traffic in order to capture just right, as its proportions make it difficult to take a picture without crossing the street, and shooting with your back against the warehouses facing her.

While the political chaos swirls around me, and daily life gets into the mix, it’s easy to forget that the show most certainly does go one. And street art is no exception.

I was reminded of this just a few days ago when I received, via twitter, the news that Spotted by locals, a website and app that serves as a guide to more than 65 cities worldwide, had chosen this blog to be on their list of the best of Barcelona. Be sure to take a look at the list here, as I’m in some excellent company.

As for the photos in this post, they range pretty much from the middle of July to just last week, and are from various locations, hence the title of this post. Many of them are from the murs lliures project in Poblenou, and have probably been replaced a few times over. Others are small shots from here in Gràcia, or the old city center. I have a small hunting expedition planned for the bank holiday coming up this week, so expect more in the next week or two!

These are some shots from around the Poblenou neighbourhood, taken around the first week of March. The majority come from the “Free Walls” project, but there are also a few from around the Glories area, and an abandoned building site which had a hole in its fence.

Some interesting details worth noting are the now-customary anti-Trump art, along with a small mural with legs, in front of which you can see a shopping cart. That shopping cart is not abandoned, and is actually used by the African migrants who use them to wander the city gathering scrap metal, and who’ve made a home in a nearby encampment. These encampments are very similar to the ones built up by the Roma people, who also make their living on scrap metal and recycling, though some Roma are fortunate enough to have large vans to transport their cargo.

As the warmer weather approaches, I expect to see more turnover of the work on the free walls, so I’ll post as often as possible. The free walls can be found here. Some of the other works can be seen here (approximately), near Poblenou Park.

Last week, while making one of my occasional pilgrimages to the Poblenou neighbourhood, I stumbled upon an open gateway, beyond which I could see some murals. It’s a spot I pass by frequently, just off the northern exit of the Parc del Centre del Poblenou. I normally take this route as there are some walls of a partially abandoned building which get painted every now and again.

I’m normally not one just to enter an open gateway uninvited (one of the myriad reasons I’ll probably never move from taking pictures and archiving to creating urban art), but this time my curiousity got the best of me and I decided to wander in.

The name on the entrance said Can Ricart, but upon entering, I checked my phone location and noticed I was in a place called Hangar.org, which describes itself as “a centre for arts production and research, offering support to artists”. The website is here and the facebook is here. And here is some info about Can Ricart.

I didn’t have a chance to chat with anyone, as most of the occupants of the space seemed hard at work, but I did manage to take a stroll around the premises and get some interesting photos, including one of the huge pillar which is visible from the street outside the walls, and which I had photographed previously from afar.

The majority of the shots in this post (including the first-ever shot of myself) are the work of the urban pop artist TVBOY. They are part of a series of famous artists from the past with touches of the present, including a Frida Kahlo Iphone selfie–the shot in which I couldn’t resist joining the famous Mexican artist for a rare narcissistic arm’s length self-portrait. The shot of Serge Gainsbourg comes from the artist Valerie Maho, and the great Muhammad Ali in stencil was created by RAF Urban. The other image (from sm172) which I’ve included is a darker reflection on our pop-selfie culture and is a statement on the voyeuristic bystander syndrome which seems to be a side effect of all of us being able to record and photograph all that we see, while forgetting to experience it, or get involved when necessary.