Just after the point where my street changes names from Bruniquer to Terol–it actually does so 4 times before finally ending–there is a dead end street/alleyway where you can find a blue doorway which has been decorated, and over-decorated constantly during the time I’ve had this blog. Saturday morning, I noticed that the artist TVboy had pasted up a giant image of Frida Kahlo dressed as a tourist, complete with an I ♥ BCN t-shirt. I snapped a quick photo, but as is often the case in sunny Barcelona, the time of day left a heavy shadow. On my way back home just two hours later, the sun had changed position , and I was hoping to get a better shadow-free shot. It wasn’t to be, however, as someone had come by and sprayed an orange cover over Frida, leaving just her eyes free. While I was a bit dismayed at not having been able to get my photo, I don’t personally see this as an act of destruction. I prefer to see it as part of the natural process, albeit quite accelerated, of what happens to art that is in the street, unprotected by vigilant museum security, alarms, glass casing, or velvet ropes.

Something similar happened to another piece by TvBoy which gained international media attention. The artist had pasted up an image of international football superstars Messi and Cristiano Ronaldo locked in a passionate kiss, just before one of the famous “Clasico” matches that take place between eternal rivals Barça and Real Madrid. It was near Plaça Catalunya, one of the most highly-traversed points in the Catalan capital. I won’t include a photo here, as my personal policy for this blog is that all photos must be taken by me, and in this case, I missed my opportunity, as not only did someone remove the image, but the entire abandoned petrol kiosk which hosted the image was removed. A bit overdramatic, in my opinion. In any case, here is a link to the Ronaldo-Messi photo, and another that was placed in Italy near the Vatican just this week of  Pope Francis and US President Donald Trump.

frida before after

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Just off the Avenue Paral·lel, and very close to the free wall project Tres Xemeneies, a new project has been launched with the blog Street Art Barcelona, called Arnau Gallery. The project consists of a 15×2 metre mural space, which will be decorated by various artists. The project is named after the Arnau theatre which went through various incarnations from its opening in 1894 to its closing in 2004. Here you can find a video detailing the mural which you’ll find in the photos below, and an article from Street Art Barcelona. Here is a map link to the location.

The shots from this entry are from early to mid March and come from the “Tres Xemeneies”, or Three Chimneys park, just off Parallel Avenue. This is a part of the “free walls” project, and a popular destination for Barcelona’s active skater scene, as well as a favorite spot to get pictures for this blog. Most of these are gone, as the image turnover on this popular painting site increases as the weather gets better. I’ve tried to include the three chimneys in the photos for a bit of perspective.

These are some shots from around the Poblenou neighbourhood, taken around the first week of March. The majority come from the “Free Walls” project, but there are also a few from around the Glories area, and an abandoned building site which had a hole in its fence.

Some interesting details worth noting are the now-customary anti-Trump art, along with a small mural with legs, in front of which you can see a shopping cart. That shopping cart is not abandoned, and is actually used by the African migrants who use them to wander the city gathering scrap metal, and who’ve made a home in a nearby encampment. These encampments are very similar to the ones built up by the Roma people, who also make their living on scrap metal and recycling, though some Roma are fortunate enough to have large vans to transport their cargo.

As the warmer weather approaches, I expect to see more turnover of the work on the free walls, so I’ll post as often as possible. The free walls can be found here. Some of the other works can be seen here (approximately), near Poblenou Park.

At the end of January, I took a long weekend in London to visit some friends who live between there and Barcelona. I’d only been to the city twice before, once in 2012 for an 8 hour layover, which allowed me a short overnight stay in an airbnb near Paddington Station, and once in 2003 on another short weekend during which I coincided with the global Iraq War protests. Neither visit has permitted me the time I would have needed to get a good feel for the city and, of course, its art.

In this most recent visit I was blessed with fine weather, though chilly by Barcelona standards, and a slight overcast sky, which is always better for getting pictures.

As for the art that I saw, I had heard and seen much about the scene in London, and I wasn’t disappointed. The hotspots of Shoreditch and Brick Lane is where most of the shots on this post were taken. I found quite a bit of politically-motivated work, much of it lampooning Brexit PM Theresa May and her equally-adored ally President Donald Trump (still feels strange to type those three words), as well as some work from familiar artists such as C215.

I was also introduced to a well-known London street artist named Nathan Bowen, whose online shop you can find here.

As with any city the size of London, I didn’t get to nearly enough, but the ease, convenience and price mean that I can get away whenever I have a three, or four day mini-holiday.

PS: If you look carefully, you’ll find a rare shot of this blogger among the pics.

2017 marks the beginning of the sixth year of this blog. And while I’ve been a bit busy with the annual holiday travelling as well as different new projects on the work front, I have been taking some shots–it’s just a matter of getting the time to sit down and organize everything into a post.

This entry is a revisit to TV Boy, whose pop art was featured in a previous entry. Some of them are returning guests, Van Gogh and Kahlo, along with two new faces, Warhol and the Pope. All of these shots were found in my neighborhood of Gràcia, the big doorway on the main thoroughfare of Carrer Verdi.

The final shot comes from the French artist Manyoly, who will feature in an upcoming post on my trip to London.

 

 

This will be one of the final posts of yet another year, and most of these shots come from a recent walk through the art-rich Born neighbourhood. One of the silver linings of having had such a busy November and December is that I haven’t had much time to wander, meaning that there were quite a few new discoveries.

Two of these images are mash-ups of Arte Es Basura and stencil artist sm 172. Whether or not the collaborations were intentional or not I’m not sure, but my guess would be that they were not an accident.

The other images are a portrait of Lauryn Hill by artist RAF Urban and, a stencil by Guate Mao, and Amy Winehouse, by B TOY.

I’ll be spending the remainder of 2016 exploring the aftermath of post-Trump victory America. The places I’ll be are generally not known for any urban art, but I’ll be sure to take a photo of any beauty I encounter in the Yuletide ruins.

I had to dig back in the archives as far as May to get a few of these shots–a difficult task as my dropbox photo cloud approaches 6,00 photos. It was worth the effort though, as I was able to find th photo I was looking for, as well as a few extras that hadn’t made it to the blog. All of this post’s images are of famous people, some of them real celebrities, while two others are famous characters from the small screen. The two fictional faces come from two of the most popular series on TV, The Walking Dead and Game of Thrones. They come to us from artist Axe Colours, who was previously featured for his portrait of Walter White from another popular TV show, Breaking Bad. In the third image you can see the artist at work. The other three are pop culture icons in real life, Annie Lennox, Anthony Perkins, and Amy Winehouse–with who I think might be Rihanna in the lower right corner. Another image shows a curious mashup of Mickey Mouse and a scowling Madonna.

Last week, while making one of my occasional pilgrimages to the Poblenou neighbourhood, I stumbled upon an open gateway, beyond which I could see some murals. It’s a spot I pass by frequently, just off the northern exit of the Parc del Centre del Poblenou. I normally take this route as there are some walls of a partially abandoned building which get painted every now and again.

I’m normally not one just to enter an open gateway uninvited (one of the myriad reasons I’ll probably never move from taking pictures and archiving to creating urban art), but this time my curiousity got the best of me and I decided to wander in.

The name on the entrance said Can Ricart, but upon entering, I checked my phone location and noticed I was in a place called Hangar.org, which describes itself as “a centre for arts production and research, offering support to artists”. The website is here and the facebook is here. And here is some info about Can Ricart.

I didn’t have a chance to chat with anyone, as most of the occupants of the space seemed hard at work, but I did manage to take a stroll around the premises and get some interesting photos, including one of the huge pillar which is visible from the street outside the walls, and which I had photographed previously from afar.

The majority of the shots in this post (including the first-ever shot of myself) are the work of the urban pop artist TVBOY. They are part of a series of famous artists from the past with touches of the present, including a Frida Kahlo Iphone selfie–the shot in which I couldn’t resist joining the famous Mexican artist for a rare narcissistic arm’s length self-portrait. The shot of Serge Gainsbourg comes from the artist Valerie Maho, and the great Muhammad Ali in stencil was created by RAF Urban. The other image (from sm172) which I’ve included is a darker reflection on our pop-selfie culture and is a statement on the voyeuristic bystander syndrome which seems to be a side effect of all of us being able to record and photograph all that we see, while forgetting to experience it, or get involved when necessary.