Last week, while making one of my occasional pilgrimages to the Poblenou neighbourhood, I stumbled upon an open gateway, beyond which I could see some murals. It’s a spot I pass by frequently, just off the northern exit of the Parc del Centre del Poblenou. I normally take this route as there are some walls of a partially abandoned building which get painted every now and again.
I’m normally not one just to enter an open gateway uninvited (one of the myriad reasons I’ll probably never move from taking pictures and archiving to creating urban art), but this time my curiousity got the best of me and I decided to wander in.
The name on the entrance said Can Ricart, but upon entering, I checked my phone location and noticed I was in a place called Hangar.org, which describes itself as “a centre for arts production and research, offering support to artists”. The website is here and the facebook is here. And here is some info about Can Ricart.
I didn’t have a chance to chat with anyone, as most of the occupants of the space seemed hard at work, but I did manage to take a stroll around the premises and get some interesting photos, including one of the huge pillar which is visible from the street outside the walls, and which I had photographed previously from afar.
This year’s Festa Major de Gràcia featured a new entry into the decorated streets: la Plaza del Poble Rumaní, the theme of which was one of the biggest cultural contributions from Gràcia’s vibrant gypsy community: la Rumba Catalana. While the decorations themselves had a difficult time competing with the more experienced streets, one feature which stood out from the rest was a huge mural which was painted on the wall of a neighboring school.
The mural is a collaboration between local schools, the local gypsy community, and the organization acidH (Catalan Association for Integration and Human Development). The three artists who participated are well-known in the Barcelona street art scene and this blog: Xupet Negre, Caesar Baetulo (sm172), and konair.
The images on the mural are a mix of the artists’ trademark characters and icons of Catalan culture.
The phrase “operación retorno” refers to the slow, but steady reverse exodus back to the cities (and reality) after the August holidays. I’m fortunate to start off with a fairly abbreviated schedule in order to ease myself back into the routine. To close off the month of August, and the lazy, hazy summer of 2016, I present to you the second installment of the photo highlights from the Festa Major of Gràcia.
Just yesterday, the annual Festa Major of Gràcia came to a fiery end with the Correfocs (fire runners) spreading sparks through the narrow streets of the neighborhood. The sea (including lots and lots of my favorite animal, the jellyfish) was a recurring theme in the decorated streets this year. Indeed, this year’s first prize winner was a brilliant under-the-sea motif featuring a giant fisherman, whose feet became the victims of vandals later in the week. In case you’re curious, here is a list of this year’s winners (in Catalan). Worth noting is that habitual winner Verdi has fallen to 7th position, with a California/Holywood-themed decor. Other themes included theatre, birthday party, a fantasy plant world, a commemoration of 20 years of participation, and women’s history.
Without further ado, here is the first installment of shots from this year’s grand festival.
Having a dog is a great excuse to get out and explore new areas of the city. My latest trips have taken me uphill, where the views of the city and the sea are marvelous, and there is also some nice street art hiding in the steep hills above the city.
The first few pictures come from the area near the Bunkers del Carmel, which served as the city’s defenses from fascist aerial attacks during the Spanish Civil War. The views are spectacular, and if you go during the week, you might be able to recapture some of the secluded off-the-beaten-track appeal. At the top of the hill you can find some walls which are painted with some murals, including one of the famous literary figure Don Quixote.
The rest of the photos are from the Vallcarca neighbourhood, which lies just next to Park Güell. This area is worth exploring as there are some interesting buildings and plazas, as well as some spectacular views of Barcelona spreading out toward the Mediterranean.
The dog days of summer are probably not the best time to explore this area as the sun seems to beat down a bit harder the higher you get, but a cloudy day in early autumn would be perfect for a climb, and besides, the pictures come out shadow-free on cloudy days.
For my second May post (which is actually hitting in June) I’ve decided to return to Gràcia, as I haven’t posted much from the surrounding area lately. Most of these shots come from strolls around the vila over the last three or four weeks. As suggested in the title, one of the more interesting ones is a portrait of tourists as paella-wielding, selfie-sticked zombie hordes who come to invade our quiet little neighbourhood nearly year-round. This sentiment can be seen in occasional graffiti which read “tourists go home”. As a foreigner who first came as a tourist, I’m a bit torn; while I recognize that tourism is vital to our local economy, and that a good majority of tourists are well-behaved and civilized, I also know as a resident what a putada it can be having the area so constantly crowded. On balance, I’m in favour of tourism, but I think that we need to start moving toward a more sustainable model. This is what the current city administration (in theory) is going for–a city planned and built for its residents, but also welcoming for tourists. A difficult happy medium to achieve, but a noble objective, in my humble opinion.
The other shots are rather random and generally political in nature, along with some anthropomorphized popsicles from konair, and some paste ups which have been appearing with increasing frequency.
As promised, in this post, I’ll show you the differences I found between the same spots, with a three month break in between.
The only difference is that the final photos in this post are taken from one of the Murs Lliures, which can be found on an entire city block, bordered by the streets Veneçuela, Agricultura, Josep Pla, and Pallars, a bit closer to the Selva de Mar metro station on the yellow line. Many of these pictures seem to follow the theme of climate change, and its effects on the arctic ecosystems, as the hashtags suggest. One of the principal artists involved in the effort is Pau Lopez, whose facebook page can be found here. And here is an interesting article on the initiative from our friends at Brooklyn Street Art.
Back in January, I took a short trip to the Poble Nou area, which is one of the hotter spots for street art in Barcelona, due to its past as one of the city’s industrial centres: wide streets, open lots and plenty of walls for the painting. The first few photos come from a corner just north of the Parc del Centre del Poblenou, a triangular park quite close to the Poblenou metro station of the yellow metro line. The park itself is quite modern, though you can still find one of the old smokestacks which once dotted this area of the city, which has been left as a reminder of the past.
The first pictures were taken just north of the park, at the intersection of the streets Espronceda and Marroc. This looks like the shell of a building, which has been left to the mercy of painters. Don’t forget to step back and see the Roman column that was painted on the side of the neighbouring building.
The next pictures were taken at another set of walls nearby, at the crossing of the streets Selva de Mar and Peru.
In the next post, you’ll see the same areas, but three months later.
Today’s post features a single image, and appears to be the work of Brooklyn-based Iranian artists Icy and Sot. Much of their art is heavily political, and as the title suggests, their work focuses on the plight of refugees and other oppressed peoples. I really love how the power of people is captured within the body of the lone demonstrator–a really significant image for anyone who’s been living here since the famous “crisis” began and was able to witness the birth of the now-famous 15-M movement. I haven’t posted a single image in quite a while, but this one really had an impact on me when I stumbled upon it a few months back, and was probably one of the best shots that day.
On the shoulder of this profile, you can also see a horse figure, which is the work of Francisco de Pájaro, aka El Arte es Basura (Art is trash), and whose work and installations can be seen in Barcelona, along with many other cities.
This image was found in the Raval on Carrer Princep de Viana, just off the Plaça del Dubte.