These are some shots from around the Poblenou neighbourhood, taken around the first week of March. The majority come from the “Free Walls” project, but there are also a few from around the Glories area, and an abandoned building site which had a hole in its fence.
Some interesting details worth noting are the now-customary anti-Trump art, along with a small mural with legs, in front of which you can see a shopping cart. That shopping cart is not abandoned, and is actually used by the African migrants who use them to wander the city gathering scrap metal, and who’ve made a home in a nearby encampment. These encampments are very similar to the ones built up by the Roma people, who also make their living on scrap metal and recycling, though some Roma are fortunate enough to have large vans to transport their cargo.
As the warmer weather approaches, I expect to see more turnover of the work on the free walls, so I’ll post as often as possible. The free walls can be found here. Some of the other works can be seen here (approximately), near Poblenou Park.
As promised, in this post, I’ll show you the differences I found between the same spots, with a three month break in between.
The only difference is that the final photos in this post are taken from one of the Murs Lliures, which can be found on an entire city block, bordered by the streets Veneçuela, Agricultura, Josep Pla, and Pallars, a bit closer to the Selva de Mar metro station on the yellow line. Many of these pictures seem to follow the theme of climate change, and its effects on the arctic ecosystems, as the hashtags suggest. One of the principal artists involved in the effort is Pau Lopez, whose facebook page can be found here. And here is an interesting article on the initiative from our friends at Brooklyn Street Art.
Back in January, I took a short trip to the Poble Nou area, which is one of the hotter spots for street art in Barcelona, due to its past as one of the city’s industrial centres: wide streets, open lots and plenty of walls for the painting. The first few photos come from a corner just north of the Parc del Centre del Poblenou, a triangular park quite close to the Poblenou metro station of the yellow metro line. The park itself is quite modern, though you can still find one of the old smokestacks which once dotted this area of the city, which has been left as a reminder of the past.
The first pictures were taken just north of the park, at the intersection of the streets Espronceda and Marroc. This looks like the shell of a building, which has been left to the mercy of painters. Don’t forget to step back and see the Roman column that was painted on the side of the neighbouring building.
The next pictures were taken at another set of walls nearby, at the crossing of the streets Selva de Mar and Peru.
In the next post, you’ll see the same areas, but three months later.
Toward the end of August, as the traditional vacation month was reaching an end, I made my way down to the ever-changing street art site known as the Tres Xemeneies, which has become an outdoor canvas with the blessings of the city council. These can be found near the end of Parallel Avenue, just below the famous Apollo Disco and Theatre, and is hard to miss due to, as the name would suggest, the three huge smokestacks from the old electrical power plant, well-preserved reminders of Barcelona’s industrial past.
It’s now a park, which is more of a concrete than green space. As a result it has attracted its fair share of skaters who are perhaps looking for an alternative to the overcrowded plaza in front of the MACBA. The covered ampitheatre-like structure has been opened up after being fenced off for nearly a year, and has become home to two large murals, as well as a place to lay one’s head.
It seems to change quite frequently and is worth the trip if you don’t want to stray too far from the city center.