These are some shots from around the Poblenou neighbourhood, taken around the first week of March. The majority come from the “Free Walls” project, but there are also a few from around the Glories area, and an abandoned building site which had a hole in its fence.
Some interesting details worth noting are the now-customary anti-Trump art, along with a small mural with legs, in front of which you can see a shopping cart. That shopping cart is not abandoned, and is actually used by the African migrants who use them to wander the city gathering scrap metal, and who’ve made a home in a nearby encampment. These encampments are very similar to the ones built up by the Roma people, who also make their living on scrap metal and recycling, though some Roma are fortunate enough to have large vans to transport their cargo.
As the warmer weather approaches, I expect to see more turnover of the work on the free walls, so I’ll post as often as possible. The free walls can be found here. Some of the other works can be seen here (approximately), near Poblenou Park.
Last week, while making one of my occasional pilgrimages to the Poblenou neighbourhood, I stumbled upon an open gateway, beyond which I could see some murals. It’s a spot I pass by frequently, just off the northern exit of the Parc del Centre del Poblenou. I normally take this route as there are some walls of a partially abandoned building which get painted every now and again.
I’m normally not one just to enter an open gateway uninvited (one of the myriad reasons I’ll probably never move from taking pictures and archiving to creating urban art), but this time my curiousity got the best of me and I decided to wander in.
The name on the entrance said Can Ricart, but upon entering, I checked my phone location and noticed I was in a place called Hangar.org, which describes itself as “a centre for arts production and research, offering support to artists”. The website is here and the facebook is here. And here is some info about Can Ricart.
I didn’t have a chance to chat with anyone, as most of the occupants of the space seemed hard at work, but I did manage to take a stroll around the premises and get some interesting photos, including one of the huge pillar which is visible from the street outside the walls, and which I had photographed previously from afar.
The majority of the shots in this post (including the first-ever shot of myself) are the work of the urban pop artist TVBOY. They are part of a series of famous artists from the past with touches of the present, including a Frida Kahlo Iphone selfie–the shot in which I couldn’t resist joining the famous Mexican artist for a rare narcissistic arm’s length self-portrait. The shot of Serge Gainsbourg comes from the artist Valerie Maho, and the great Muhammad Ali in stencil was created by RAF Urban. The other image (from sm172) which I’ve included is a darker reflection on our pop-selfie culture and is a statement on the voyeuristic bystander syndrome which seems to be a side effect of all of us being able to record and photograph all that we see, while forgetting to experience it, or get involved when necessary.
Back in January, I took a short trip to the Poble Nou area, which is one of the hotter spots for street art in Barcelona, due to its past as one of the city’s industrial centres: wide streets, open lots and plenty of walls for the painting. The first few photos come from a corner just north of the Parc del Centre del Poblenou, a triangular park quite close to the Poblenou metro station of the yellow metro line. The park itself is quite modern, though you can still find one of the old smokestacks which once dotted this area of the city, which has been left as a reminder of the past.
The first pictures were taken just north of the park, at the intersection of the streets Espronceda and Marroc. This looks like the shell of a building, which has been left to the mercy of painters. Don’t forget to step back and see the Roman column that was painted on the side of the neighbouring building.
The next pictures were taken at another set of walls nearby, at the crossing of the streets Selva de Mar and Peru.
In the next post, you’ll see the same areas, but three months later.
Ever since the city council began its crackdown on antisocial behavior in 2006, finding examples of urban art in Barcelona has become increasingly difficult–to the point where nowadays when I go out wandering the city, it’s nearly impossible to find new work outside of the permitted places.
These shots come from one of those morning meanderings through the Raval and the Old City Centre. Finding a silver lining in this situation is about as difficult as the hunt for new art, but if I suppose the scarcity means that it’s much more satisfying when I do find something interesting.