I had to dig back in the archives as far as May to get a few of these shots–a difficult task as my dropbox photo cloud approaches 6,00 photos. It was worth the effort though, as I was able to find th photo I was looking for, as well as a few extras that hadn’t made it to the blog. All of this post’s images are of famous people, some of them real celebrities, while two others are famous characters from the small screen. The two fictional faces come from two of the most popular series on TV, The Walking Dead and Game of Thrones. They come to us from artist Axe Colours, who was previously featured for his portrait of Walter White from another popular TV show, Breaking Bad. In the third image you can see the artist at work. The other three are pop culture icons in real life, Annie Lennox, Anthony Perkins, and Amy Winehouse–with who I think might be Rihanna in the lower right corner. Another image shows a curious mashup of Mickey Mouse and a scowling Madonna.
This year’s Festa Major de Gràcia featured a new entry into the decorated streets: la Plaza del Poble Rumaní, the theme of which was one of the biggest cultural contributions from Gràcia’s vibrant gypsy community: la Rumba Catalana. While the decorations themselves had a difficult time competing with the more experienced streets, one feature which stood out from the rest was a huge mural which was painted on the wall of a neighboring school.
The mural is a collaboration between local schools, the local gypsy community, and the organization acidH (Catalan Association for Integration and Human Development). The three artists who participated are well-known in the Barcelona street art scene and this blog: Xupet Negre, Caesar Baetulo (sm172), and konair.
The images on the mural are a mix of the artists’ trademark characters and icons of Catalan culture.
Post number two of my NYC trip is dedicated to the street art tour I decided to take on a chilly Saturday morning. The tour was run by an outfit called Free Tours By Foot, and they run tours on all different types of themes in cities all over.
It definitely felt a bit odd, to be walking with a tour group in a city which I had called home for so many years. But considering that my interest in street art didn’t start until well after I had left NYC, it was a really great way see the city for the first time. The tour guide was a great source of information, being an artist himself, and put a lot of time and research to make the tour as educational as possible. I definitely learned a lot, and don’t feel quite so much as a layman as I did before.
The tour took us through SoHo, Little Italy, Chinatown, and scraped the Lower East Side, all areas which were a part of my regular stomping grounds when I lived there, so it was a great experience to see such familiar streets from a different point of view. The tour finishes off on Mulberry street in the slightly tacky heart of Little Italy, so I didn’t linger around for too long. Though I couldn’t resist grabbing a cannoli before moving on.
Needless to say, I definitely recommend this tour next time you’re in NYC. There are also tours of Bushwick, Astoria, and Williamsburg available. Here’s the link.
For my second May post (which is actually hitting in June) I’ve decided to return to Gràcia, as I haven’t posted much from the surrounding area lately. Most of these shots come from strolls around the vila over the last three or four weeks. As suggested in the title, one of the more interesting ones is a portrait of tourists as paella-wielding, selfie-sticked zombie hordes who come to invade our quiet little neighbourhood nearly year-round. This sentiment can be seen in occasional graffiti which read “tourists go home”. As a foreigner who first came as a tourist, I’m a bit torn; while I recognize that tourism is vital to our local economy, and that a good majority of tourists are well-behaved and civilized, I also know as a resident what a putada it can be having the area so constantly crowded. On balance, I’m in favour of tourism, but I think that we need to start moving toward a more sustainable model. This is what the current city administration (in theory) is going for–a city planned and built for its residents, but also welcoming for tourists. A difficult happy medium to achieve, but a noble objective, in my humble opinion.
The other shots are rather random and generally political in nature, along with some anthropomorphized popsicles from konair, and some paste ups which have been appearing with increasing frequency.
Today’s post features just a single image–well, two views of a single image–which I captured while wandering the streets of Bushwick, which has become one of the hippest neighborhoods in the hippest borough of New York City. Indeed, the streets of 2016 Bushwick were a stark contrast to the Bushwick I first encountered in 1995, when I was offered a small, ground-floor studio apartment. Had you told me then, when I paid for my soda and chips through a plexi-glass partition at the bodega that these same streets would one day be home to gastropub-cinemas and sidewalk cafés offering fair trade lattés and vegan pastries, I would have spit my Mountain Dew all over the potholed street.
Bushwick has also become well-known as a haven for some fantastic street art, which will be featured in a future post.
Today’s image is a pasteup of a young boy with his hands up, and below him the caption “don’t shoot”. It seems to be a reference to the phrase “hands up, don’t shoot”, which has become the mantra of many protests by groups such as the Black Lives Matter movement. It is perhaps for this reason it quickly became the first photo ever on my Instagram feed to reach 100 likes. I consider this quite a milestone, as I’ve had the Instagram account for around the same amount of time as I’ve been keeping this blog, for just over 4 years.
Speaking of my instagram account, it’s a great place to check out some of the street shots that didn’t make it on to the blog, along with other non-street art related images I find along the way. My instagram name is @tbri001. Be sure to check it out!
This is a cat by c215. Difficult to see in the pic, but this picture is extremely textural. This cat was just begging to be petted.
I’d like to think that this is exactly that, an unintentional collaborative piece. Maybe the original artist pasted this photo, which over time is torn away little by little. Until one day another artist (or non-artist) cam along and decided to complete the new piece. If so, this image represents exactly what I love most about street art–that it’s always changing. I can go back in a week and discover something new and (possibly) better.
Here is a colorful pile of cubes, one of whom doesn’t look very happy. Perhaps it’s the weight of all his companions.
Is trying to save the Euro like this snake eating its own tail?